a poem for sunday.

“You Can’t Have It All” by Barbara Ras

But you can have the fig tree and its fat leaves like clown hands
gloved with green. You can have the touch of a single eleven-year-old finger
on your cheek, waking you at one a.m. to say the hamster is back.
You can have the purr of the cat and the soulful look
of the black dog, the look that says, If I could I would bite
every sorrow until it fled, and when it is August,
you can have it August and abundantly so. You can have love,
though often it will be mysterious, like the white foam
that bubbles up at the top of the bean pot over the red kidneys
until you realize foam’s twin is blood.
You can have the skin at the center between a man’s legs,
so solid, so doll-like. You can have the life of the mind,
glowing occasionally in priestly vestments, never admitting pettiness,
never stooping to bribe the sullen guard who’ll tell you
all roads narrow at the border.
You can speak a foreign language, sometimes,
and it can mean something. You can visit the marker on the grave
where your father wept openly. You can’t bring back the dead,
but you can have the words forgive and forget hold hands
as if they meant to spend a lifetime together. And you can be grateful
for makeup, the way it kisses your face, half spice, half amnesia, grateful
for Mozart, his many notes racing one another towards joy, for towels
sucking up the drops on your clean skin, and for deeper thirsts,
for passion fruit, for saliva. You can have the dream,
the dream of Egypt, the horses of Egypt and you riding in the hot sand.
You can have your grandfather sitting on the side of your bed,
at least for a while, you can have clouds and letters, the leaping
of distances, and Indian food with yellow sauce like sunrise.
You can’t count on grace to pick you out of a crowd
but here is your friend to teach you how to high jump,
how to throw yourself over the bar, backwards,
until you learn about love, about sweet surrender,
and here are periwinkles, buses that kneel, farms in the mind
as real as Africa. And when adulthood fails you,
you can still summon the memory of the black swan on the pond
of your childhood, the rye bread with peanut butter and bananas
your grandmother gave you while the rest of the family slept.
There is the voice you can still summon at will, like your mother’s,
it will always whisper, you can’t have it all,
but there is this.

saving my life.

Last Tuesday, Atticus and I showed up at the surgical center before 6:30 (yes, that is in the morning) for him to get a second round of tubes. He’d had three ear infections in the two months since his first set fell out, and those ear infections were making all of us miserable. So, tubes. And, for good measure, let’s take those adenoids out, too.

I was less frightened this time, knew better what to expect. He snuggled into me on the surgical bed, and I laughed at him as the medicine started taking effect and he went from normal to WOAH to MUNCHIES in about 30 minutes. The only time I got worried was while I was waiting for him to wake up, when I heard other kids crying. After they released us, I stopped to get him a milkshake and then we had a low point when he threw up on the way home.

couch

The truth is that I like taking care of him when he’s sick. I made him comfortable on the couch, got him whatever food and drink he wanted, and set him up with the iPad. I have less patience for that in-between stage, the cranky time before he is actually well again. That in-between stage lingered for about a week, so my Mother’s Day started at about 4:30 in the morning, when I forced Atticus to take a pain reliever and then settled into his (too small for me) sleeping bag on the floor of his room. As I listened to him sleep, I felt sorry for myself and thought up facebook statuses about how breakfast-in-(sleeping)bags should totally be a thing. Also mimosas.

And then I spent a fair amount of time staring up at the ceiling and wondered if I had made a wrong turn somewhere. He’s being awful to me, is this because I am a terrible mother? Am I a terrible mother because I want him to go away so I can get some sleep? And how terrible am I for feeling these things on Mother’s Day of all days?

In the give and take, ebb and flow of daily life it is easy to forget that what we are building is a relationship. Not a one-way system of parenting where I funnel my (questionable) wisdom into his brain and he does what I say. We are playing the long game, where we learn from each other, get mad at each other, forgive one another, love one another. A relationship is a long conversation. Thankfully our conversation has resumed and no longer consists of one person yelling NOOOOOOO a lot.

The crazy monster beast levels of stubbornness and orneriness (his and mine) have receded to normal toddler/parent levels and it is so nice to have my boy back. That is what is saving my life this week. What is saving your life this week?

lived in.

One of my pet peeves is when teachers tell students to be quiet because this is a library. Not anymore, I say! These days the library is a dynamic learning environment. Despite the silence you remember from your childhood (when I got in trouble at both my school library and the public library for volume choices), libraries aren’t the fortresses of quiet that they used to be.

As our students’ use of technology changes our schools, the ways they use the library have shifted. This spring, as I did my inventory, I focused on moving books and furniture around to make things more inviting for my students. At one point it looked like this:

image

But now it looks more like this:

image

Things are a little bit tidier and I am happy with how the space is being reinvented, but a few weeks ago I realized that my students don’t like for things to be too organized. When the books look too nice on the shelves, they are hesitant to mess with anything. All of us are afraid of what it looks like in that first picture, but my students don’t really like the second one, either. I have higher circulation and more students making connections with books when I keep the library somewhere in between. Not too cluttered but not too organized. Lived in.

“Lived-in” was also the phrase I used to describe the feeling of inhabiting my own body a little bit more. I needed the reminder that the goal is not perfection but being welcoming and comfortable while allowing for change and progress. I will take my loud and slightly messy library any day over a perfect, quiet one. Thankfully, it seems like my students feel the same way.

a poem for sunday.

I had planned to find something other than this, but it’s really my favorite poem for Mother’s Day.

“The Lanyard” by Billy Collins

The other day I was ricocheting slowly
off the blue walls of this room,
moving as if underwater from typewriter to piano,
from bookshelf to an envelope lying on the floor,
when I found myself in the L section of the dictionary
where my eyes fell upon the word lanyard.

No cookie nibbled by a French novelist
could send one into the past more suddenly—
a past where I sat at a workbench at a camp
by a deep Adirondack lake
learning how to braid long thin plastic strips
into a lanyard, a gift for my mother.

I had never seen anyone use a lanyard
or wear one, if that’s what you did with them,
but that did not keep me from crossing
strand over strand again and again
until I had made a boxy
red and white lanyard for my mother.

She gave me life and milk from her breasts,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted spoons of medicine to my lips,
laid cold face-cloths on my forehead,
and then led me out into the airy light

and taught me to walk and swim,
and I, in turn, presented her with a lanyard.
Here are thousands of meals, she said,
and here is clothing and a good education.
And here is your lanyard, I replied,
which I made with a little help from a counselor.

Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.
And here, I wish to say to her now,
is a smaller gift—not the worn truth

that you can never repay your mother,
but the rueful admission that when she took
the two-tone lanyard from my hand,
I was as sure as a boy could be
that this useless, worthless thing I wove
out of boredom would be enough to make us even.

reckless trust.

photo (64)

Where are we going, Mama?
Where ARE we going, Atticus?
To the library!
That’s right!

Atticus is in a phase where he asks questions that he already knows the answers to. Here’s a random sampling: What are you doing, Mama? What’s in your mouth? What’s that noise? Where’s Daddy? Librarians patiently answer the same questions over and over, so I am particularly well-suited for this part of the job. (Random sampling: Where’s the bathroom? Why isn’t my projector working? Do you have any Diary of a Wimpy Kid books? Answers: The door by the exit. It’s not plugged up. They are all checked out.)

He has questions about Big Bunny, too. Where’s Big Bunny? When I turn it back on him, he knows: She’s under a rock. Back there. I buried Big Bunny before Atticus got home that day so he didn’t see her body (or the box). He looked for her cage and confusion crossed his face. We were careful to say things like, “She died,” and, “She won’t be here anymore,” because we like to use real words for things. His little hand held mine trustingly as we walked to the back of the yard, his bright eyes searching our faces for answers about what he should do next. When Mike knelt down next to the grave, Atticus imitated him. He’s proud of the rock he put on her grave and he likes to visit it every few days.

I assume these questions are a security thing, that he wants to be sure that nothing has changed, or he likes asking when he already knows the answers (me too, kid). Maybe it’s like hiding when you know you are going to be found or reading the end of the book first. He has faith that we will answer him, over and over and over. We hold him when he cries, we pick him up when he falls, and we say the same things time and time again. He trusts recklessly, inspiring us to respond without holding back.

a poem for sunday.

“On Turning Ten” by Billy Collins

The whole idea of it makes me feel
like I’m coming down with something,
something worse than any stomach ache
or the headaches I get from reading in bad light–
a kind of measles of the spirit,
a mumps of the psyche,
a disfiguring chicken pox of the soul.

You tell me it is too early to be looking back,
but that is because you have forgotten
the perfect simplicity of being one
and the beautiful complexity introduced by two.
But I can lie on my bed and remember every digit.
At four I was an Arabian wizard.
I could make myself invisible
by drinking a glass of milk a certain way.
At seven I was a soldier, at nine a prince.

But now I am mostly at the window
watching the late afternoon light.
Back then it never fell so solemnly
against the side of my tree house,
and my bicycle never leaned against the garage
as it does today,
all the dark blue speed drained out of it.

This is the beginning of sadness, I say to myself,
as I walk through the universe in my sneakers.
It is time to say good-bye to my imaginary friends,
time to turn the first big number.

It seems only yesterday I used to believe
there was nothing under my skin but light.
If you cut me I could shine.
But now when I fall upon the sidewalks of life,
I skin my knees. I bleed.

always under one sky.

photo (63)

We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always, always — home,
always under one sky, our sky. And always one moon
like a silent drum tapping on every rooftop
and every window, of one country — all of us –
facing the stars
hope — a new constellation
waiting for us to map it,
waiting for us to name it — together.

From “One Today” by Richard Blanco

This is the last stanza of the poem that Richard Blanco wrote for President Obama’s second inauguration. I kept trying to figure out when I should post it, kept putting it off as not quite right, not yet. And now it’s the end of National Poetry Month so I guess we will conclude the month with it. If you used the inaugural poem as a chance to take a break and maybe go to the bathroom instead of listening to someone read poetry, I encourage you to read it now. To me, it is a powerful reflection on the things that unite us as Americans (and, really as citizens of the world). We have varied experiences and yet our hearts are moved by the same bravery, the same tragedy. Despite our differences, some things connect us all.

A long time ago, on this very blog, I posted that I was not really a person who liked poetry very much. And it was the truth. I had no use for telling the truth slant, I wanted it straight. But as the world and my heart have grown more crooked, I better understand this circuitous path. If you are interested in discovering more poetry for yourself, my number one tip is to ask the people around you what poems they like. Not only will you learn something about them, you will also have an entryway into that particular poem, through the person you already know.

There are so many more poems that I want to share that I will probably post them on Sundays for a while. Thank you for indulging me for a solid month (minus a few days here and there). I hope one of these poems connected with you in some way.

every motion and joint of your body.

photo (62)

We have been trying this new thing where we take Atticus into church with us. It’s been successful as far as church services with a two-year-old go. He is suddenly able to sit with us and play quietly for part of the time, and he likes the music. Plus, he gets to take communion and I am super into that.

But, you know, having him there means that we are distracted in the permanent way of parents, ears attuned to his noises. This is troublesome if you think, like I used to, that worship is more about stillness than about motion. This is a season of our lives that is about exploring the outside world rather than examining ourselves, and parenthood has been about motion almost from the very beginning. I had twinges in my belly at 16 weeks and the predictions that he was going to be an active boy came true. We rocked him to sleep (and became those people who rock themselves without knowing it). He preferred to run from his very first steps, which, of course, means that we are still running after him. He plows his grocery cart into the wall and smashes his trucks into one another. I stuff diapers and Mike makes dinner and we wipe Atticus’s nose. There is less stillness in our lives than there used to be.

One of the things that resonated with me from the very beginning of motherhood, before I could even feel those first kicks, was part of the preface of Leaves of Grass by Walt Whitman.

This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.

I am not totally present in church when I am there with Atticus, but I think the act of being there is enough for now. We are making space for our church community to be a priority; even if I don’t hear every word of the sermon, I am learning from the people around me how to make my very flesh a great poem. Yesterday I watched another parent make all those familiar movements – soothing and wiping and caressing. You could never mistake that for inattention.

a poem for sunday.

photo (61)

“Happiness” by Jane Kenyon

There’s just no accounting for happiness,
or the way it turns up like a prodigal
who comes back to the dust at your feet
having squandered a fortune far away.

And how can you not forgive?
You make a feast in honor of what
was lost, and take from its place the finest
garment, which you saved for an occasion
you could not imagine, and you weep night and day
to know that you were not abandoned,
that happiness saved its most extreme form
for you alone.

No, happiness is the uncle you never
knew about, who flies a single-engine plane
onto the grassy landing strip, hitchhikes
into town, and inquires at every door
until he finds you asleep midafternoon
as you so often are during the unmerciful
hours of your despair.

It comes to the monk in his cell.
It comes to the woman sweeping the street
with a birch broom, to the child
whose mother has passed out from drink.
It comes to the lover, to the dog chewing
a sock, to the pusher, to the basket maker,
and to the clerk stacking cans of carrots
in the night.
It even comes to the boulder
in the perpetual shade of pine barrens,
to rain falling on the open sea,
to the wineglass, weary of holding wine.

the higher arithmetic.

Kathleen Norris read this poem last summer at the Glen – David Dwyer was her husband and she wrote about his death in Acedia and Me.

I think fans of Madeleine L’Engle will particularly like this poem.

“The Higher Arithmetic” by David Dwyer

In heaven, I do not know that there are angels,
but I know there are numbers there, and light.

(Arithmetic and heaven are both uncountably
full of light). Inaccessible cardinals, there,
will lord it over mere infinities;
the naturals will dance among the reals . . .
Apart from numbers, how little we know.

There is no largest prime. The Halting Problem
is formally undecidable. Every subset
of a well-ordered set is well-ordered itself. And so on . . .

Such things are true, even easy to prove.
Are there uncountably more, unknowably other
true things about the world?

I had to go away. A woman I love
(and this is true, too,) put an icon
of an archangel into the glove-compartment
of my car. I haven’t looked, but I know it is there,
as I know there is no largest prime.

Raphael,

she said. His numberless wings cloak all of us
poor travelers who do not know, but are not lost.
The angel, she said, of happy meeting, after all.

the practice of the presence (of me).

“homage to my hips” by Lucille Clifton

these hips are big hips.
they need space to
move around in.
they don’t fit into little
petty places. these hips
are free hips.
they don’t like to be held back.
these hips have never been enslaved,
they go where they want to go
they do what they want to do.
these hips are mighty hips.
these hips are magic hips.
i have known them
to put a spell on a man and
spin him like a top

play

Middle school is the worst. Puberty is kind to very few of us, which is why you won’t find pictures of me at age 12 on display.

Even before the loose limbs and the big teeth, I struggled to inhabit my body. Was I awkward because I didn’t play sports, or did I not play sports because I was awkward? No one knows for sure, but I can’t throw a ball, never really learned how to swim, don’t know how to dance. If you need a couch-sitter, I’m your woman. Otherwise, you should probably look somewhere else.

I anticipated a lot of sitting with my feet up while I was pregnant, but it turns out that pregnancy is all about physicality. We say that pregnant women glow, but I didn’t expect the ways that everything changed about simply being me. It was different to dress myself, to go to the bathroom. My hair and my fingers grew thicker. I had to ice my feet and my belly became bigger and more unrecognizable every day. It wasn’t over after giving birth, either: there was the nursing and the healing and the waking to attend to his needs. Let’s not talk about the hormones.

My body is a little more lived-in these days. It turns out that growing a person and feeding him makes things a little different, and I don’t just mean physically. I inhabit my body a little bit more, am more present in its boundaries. I have more respect for its strength. Jogging and yoga are still quite enough to push my limits from time to time—no zumba here. But in a surprising turn of events, I am learning to enjoy the physicality of play. Atticus wrestles with me, rides airplane on my feet, and gives me boom hugs. I hide in the bathroom and jump out as he giggles. We do our silly dances together.

The girl who had to be told to go outside is finally learning the discipline of play. Oh, sure, I played as a kid—with my Barbies, or Legos, or on a swing. But Atticus is teaching me how to play hard, with abandon. With this practice comes a new sense of being present in my own skin. I have to admit that I like it.

dearly beloved.

“The Wedding in the Courthouse” by Kathleen Norris

I don’t like weddings
When you live here
Long enough
All the spindly legged girls
Grow up like weeds
To be mowed down: matrons
At twenty-five, all edges taken off.
When the music starts
They’re led down the aisle
In their white dresses
And we celebrate sentiment
And money.

There’s only one wedding
I’d go to again
I happened to be on an errand
At the county courthouse
And Lucille came running:
“Will you be a witness?
We need two,
And the girls can’t leave their desks.”

They’d shown up
That morning, no family or friends.
Not kids: he looked about thirty
And she just a little younger.
They couldn’t stop smiling.
She might have been pregnant,
But you couldn’t tell.
It might have been the denim jumper
She was wearing.

I can picture Lucille
Chain-smoking: surprised
And pleased
To interrupt routine.
And the Deputy Sheriff,
A young man, blushing,
Loaded gun in his holster,
Arms hanging loose:
He looked at his shoes.
But it’s the words
I remember most. It was as if
I was hearing them for the first time.
Lucille put out a cigarette
And began: “Dearly beloved,”
And we were.

it’s okay to be afraid.

“Release” by Adelaide Crapsey

With swift
Great sweep of her
Magnificent arm my pain
Clanged back the doors that shut my soul
From life.

photo (60)

Fourteen years ago, Mike and I went, as usual, to a friend’s dorm room for our regularly scheduled Tuesday night TV watching. But instead of teenagers with big words and romantic triangles, there were images of a school surrounded by police. Columbine.

The high school I graduated from was nothing like Columbine, much smaller and more rural. But that did not keep me from being afraid. The talk (much of which turned out to be wrong) of jocks and outcasts, the fact that students were shot in the library, the familiarity of the idea of a school–these things had me panicked. I had seen scary things in the news before, but this one hit so close to home that I sat in my college classes and calculated the fastest way out, fear in the pit of my stomach if someone walked by the open door of the classroom. I prayed and sang out loud any time I had to drive home in the dark. I worried about my brother, who was still in high school, and the bomb threats his school began receiving. I felt silly, because of course I didn’t know anyone there. Of course I wasn’t directly affected. But the world was suddenly an evil place and I was not sure how to fight the darkness.

Eventually the fear receded and I was able to function again, but I felt twinges of that same panic last week when the news was relentlessly bad. I was afraid to go to work on Friday because the anniversaries of Columbine and Oklahoma City and Virginia Tech loomed large over an already dark and heavy week. And I felt shame for feeling that way, safe in my North Carolina home.

What helped me last week was not when people dismissed my fears, but when people affirmed them. The world is a scary place sometimes. I’m edgy, too. It’s understandable that you are scared. This has been a tough week. Those were the things that cut through the fear and the shame and made me brave. I say these same words to Atticus all the time: it’s okay to be afraid. But it was nice to have someone say them to me.

the peace of wild things.

I almost posted this poem on Friday, but I opted for William Carlos Williams instead. Today our pastor read it during his sermon, so it seems I should post it after all.

image

“The Peace of Wild Things” by Wendell Berry

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

peace.

“Peace on Earth” by William Carlos Williams

The Archer is wake!
The Swan is flying!
Gold against blue
An Arrow is lying.
There is hunting in heaven—
Sleep safe till tomorrow.

The Bears are abroad!
The Eagle is screaming!
Gold against blue
Their eyes are gleaming!
Sleep!
Sleep safe till tomorrow.

The Sisters lie
With their arms intertwining;
Gold against blue
Their hair is shining!
The Serpent writhes!
Orion is listening!
Gold against blue
His sword is glistening!
Sleep!
There is hunting in heaven—
Sleep safe till tomorrow.

to be alive.

I saved this poem for Poem in Your Pocket Day so I could tell you all about it, but the day was long and my time is short so I will have to save it for another day. This is the poem I carried today. The news in the world has been bad, and it has been hard to hear the music, but I believe it is there.

photo (59)

window.

A short poem today, because it is late and I am tired. Tomorrow is poem in your pocket day! Don’t forget to carry a poem with you to share.

“Window” by Carl Sandburg

Night from a railroad car window
Is a great, dark, soft thing
Broken across with slashes of light.

the long goodbye.

If stress reveals who we are, then I am a completely awkward middle school student. Difficult news renders me unable to move, words frozen on my tongue. After my dad died, I thought I had learned which things were helpful to say; in my head, I am a paragon of grace and kindness when called upon to support others in the face of adversity. In reality I fear I act more like the Tin Man before he got his oil.

I was not prepared for how I would feel when my dad died. Is that the most obvious sentence ever written? Of course none of us are ever ready for the horrors of illness and the permanence of death. I like road maps and lists and I wanted someone to tell me what to do, where to go, how I should be feeling. I didn’t want to have to make any decisions. I was overwhelmed and I failed to say and do many things, some of which I regret very deeply. Part of grieving is accepting these things as they are. Part of my continuing grief is that I don’t seem to be able to overcome these inadequacies.

goodbye

Over the weekend I read a gorgeous, haunting book about grief by Meghan O’Rourke called The Long Goodbye. In it, she tells the story of her mother’s death and weaves in different resources on grief and grieving from poets and playwrights and experts in the field. She puts words to many things I thought and felt. Perhaps it would have helped me to have such a beautiful balance of research and experience in my hands, something to guide me. This is a book that should be tucked in a basket for a friend along with other comforts: a warm blanket, a bottle of wine, a box of chocolate. It made me feel less alone.

I emailed Meghan and thanked her for her words. I told her about my dad, and that I wished I had had her book to read a few years ago. She graciously emailed me back, saying that she was sorry about my dad and thanking me for writing her. I realized upon reading her response that I hadn’t offered my own condolences to her, and my insides seized up. Awkward again, of course.

Meghan O’Rourke also has two books of poetry. Here is one of her poems as part of my poem-a-day National Poetry Month extravaganza. I highly recommend her book The Long Goodbye (which I purchased with my own money upon fortuitously finding it at the local used bookstore).

“Once” by Meghan O’Rourke

A girl ate ices
in the red summer. Bees
buzzed among the hydrangea,

heavy as plums.
Summer widened
its lens.

You would not believe
how happy she was;
her mother pulled her

through the pool till her hair
went soft. Below,
cracks spread in the vinyl

where her mother’s long legs
scissored; above, wet faces
in the sun smiled.

At dusk, lamps were lit,
Vs of geese swept past,
fresh sheets shivered

on the laundry line,
and as the nights grew crisp
our souls unfolded.

Then winter arrived.
The parents bent over the daughter
tucked in her bed….

Creaking from the cold,
the black walnut’s roots
swelled beneath the snow.

When spring came, the home
had tilted into the tree’s
long, crooked shadow. Nothing

was the same again.

it can console.

We are lucky to get two NPR stations, one from Chapel Hill and one from Winston-Salem. On the way home, one was reporting the terrible news from Boston and one was sharing poetry. I opted for the poetry. As the program said, “Can poetry end injustice? Perhaps not. But can it make us see it? Yes. And it can console.”

Here is the poem that Candide Jones read at the end of that segment. Though it was pre-scheduled, it struck me as perfect for today.

“Try To Praise The Mutilated World” by Adam Zagajewski

Try to praise the mutilated world.
Remember June’s long days,
and wild strawberries, drops of wine, the dew.
The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.
You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the grey feather a thrush lost,
and the gentle light that strays and vanishes
and returns.

To fight the darkness and remind you to look for the helpers, I also offer you this picture of a boy wearing a cape and chasing butterflies in a field.

photo (58)

give praise.

“A List of Praises” by Anne Porter

Give praise with psalms that tell the trees to sing,
Give praise with Gospel choirs in storefront churches,
Mad with the joy of the Sabbath,
Give praise with the babble of infants, who wake with the sun,
Give praise with children chanting their skip-rope rhymes,
A poetry not in books, a vagrant mischievous poetry
living wild on the Streets through generations of children.

Give praise with the sound of the milk-train far away
With its mutter of wheels and long-drawn-out sweet whistle
As it speeds through the fields of sleep at three in the morning,
Give praise with the immense and peaceful sigh
Of the wind in the pinewoods,
At night give praise with starry silences.

Give praise with the skirling of seagulls
And the rattle and flap of sails
And gongs of buoys rocked by the sea-swell
Out in the shipping-lanes beyond the harbor.
Give praise with the humpback whales,
Huge in the ocean they sing to one another.

Give praise with the rasp and sizzle of crickets, katydids and cicadas,
Give praise with hum of bees,
Give praise with the little peepers who live near water.
When they fill the marsh with a shimmer of bell-like cries
We know that the winter is over.

Give praise with mockingbirds, day’s nightingales.
Hour by hour they sing in the crepe myrtle
And glossy tulip trees
On quiet side streets in southern towns.

Give praise with the rippling speech
Of the eider-duck and her ducklings
As they paddle their way downstream
In the red-gold morning
On Restiguche, their cold river,
Salmon river,
Wilderness river.

Give praise with the whitethroat sparrow.
Far, far from the cities,
Far even from the towns,
With piercing innocence
He sings in the spruce-tree tops,
Always four notes
And four notes only.

Give praise with water,
With storms of rain and thunder
And the small rains that sparkle as they dry,
And the faint floating ocean roar
That fills the seaside villages,
And the clear brooks that travel down the mountains

And with this poem, a leaf on the vast flood,
And with the angels in that other country.